We use this information to complete transactions, fulfill orders, communicate with individuals placing orders or visiting the online store, and for related purposes. Online Storeįor orders and purchases placed through our online store on this site, we collect order details, name, institution name and address (if applicable), email address, phone number, shipping and billing addresses, credit/debit card information, shipping options and any instructions. We use this information to address the inquiry and respond to the question. To conduct business and deliver products and services, Pearson collects and uses personal information in several ways in connection with this site, including: Questions and Inquiriesįor inquiries and questions, we collect the inquiry or question, together with name, contact details (email address, phone number and mailing address) and any other additional information voluntarily submitted to us through a Contact Us form or an email. Please note that other Pearson websites and online products and services have their own separate privacy policies. This privacy notice provides an overview of our commitment to privacy and describes how we collect, protect, use and share personal information collected through this site. Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030, (Pearson) presents this site to provide information about Adobe Press products and services that can be purchased through this site. If there's any action in the Timeline that's later in the same layer, that action will be delayed by 50 frames, possibly losing coordination with the action in the other layers ( Figure 42a). When you paste the first car's motion to the second car, Flash will automatically lengthen the second car's span by 50 frames. Similarly, suppose the first car's animation has a duration of 100 frames, but the second and third cars are in the movie for only 50 frames. So you'd have to move the second and third cars to separate layers before you could paste motion to them. But as soon as you paste the first car's motion to the second car, you've turned the second car into a motion-tweened object as you'll remember from #38, a motion-tweened object has to be on a layer of its own. That's fine, so long as they're standing still. Imagine that the second and third cars are both in the same keyframe on the same layer. There are a couple of potential problems that you'll need to be alert for. As a result, each car can execute the same set of maneuvers in completely different locations. When you copy animation from one object and paste it to another, the motion is relative to the object, not to the Stage. Select the second car on the Stage and choose Edit > Timeline > Paste Motion.
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